Visualgui.com

27 September 2005

Understanding Jazz: Ways to Listen

From the intricate syncopation to the elaborate rhythms to the meticulous phrasings (instruments, scats and vocals), jazz is one of the most complex forms of music. Like a sophisticated lady, jazz takes time, tremendous patience and careful attentions to get acquainted with. Of course, the experience is rewarding once we tapped into her body and soul (I am referring to the musical pleasure).

If jazz is the sophisticated lady, Tom Piazza’s Understanding Jazz: Ways to Listen is a useful dating guide. He shows how the art is formed, explains how instruments integrate to create exotic sounds, and demonstrates the aesthetics of storytelling through syncopation, rhythm, improvisation, time and space. With an accompaniment CD consisted of seven classic jazz pieces including King Oliver’s “Weather Bird Rag,” Count Basie and Lester Young’s “Boogie Woogie” and Mile Davis Quintet’s “Footprint,” Piazza uses them as references throughout the book to help readers understand what he means when he talks about music. For example: “… listen to the series of descending figures [Sonny Rollins] plays in “Moritat” at 2:23, or listen at 3:02, when he alludes to the melody, or to the little grunt he emits at 3:42, or the yelp of assent right around 5:53, during his exchanges with drummer Max Roach.” In addition, the extensive of “Further Listening” recommendations at the end of each chapter will be helpful to those who wish to embark their journeys deeper into the world of jazz.

Understanding Jazz is recommended for the beginners. Once we understand the music, we can learn about the important figures, such as Pops, Duke, Bird, Dizz, Prez, Bean, Prince of Darkness, Lady Day, whose works made significant contribution to the world of jazz. The history is as intriguing and exciting as the music herself.

5 Comments

  1. I recommend Chick Correa as a sample of good jazz becuase they have wonderful incorporations of cascading piano flows,although sometimes the bass tends to be very enjambmented into some songs. The C.D is pleasant as a whole.

    Comment by Diem Thuyen Tran — 10 October 2005 @ 3:51 pm
  2. As for your rough defintion for “jazz”… I beilive that anyone with a powerful bond to nature and life,will somehow have an understanding of how this detailed musicianship is a heavenly means to reach extreme ecstacy. It should come to any given person naturally and not through advertisement or the fad of compentorary society. It is purely timeless. Like you have died and have seen heaven. Jazz does take a one-on-one personal adjustment from outisde distraction to really engulf your senses into any one song.

    Personally,at age 15, that nirvana that my body reached was an “out of the body” experience from listening to fine music lead me to truly appreciate and regain a deeper understanding of life, love, and destiny.

    Comment by Diem Thuyen Tran — 10 October 2005 @ 4:06 pm
  3. *believe *contemporary

    Comment by Diem Thuyen Tran — 14 October 2005 @ 6:27 pm
  4. Sorry for not giving further details… On the Chick Corea post, I’m referring to the “Past, Present, and Futre” Chick Corea Trio C.D

    Comment by Diem Thuyen Ngoc Tran — 29 October 2005 @ 2:47 pm
  5. *Futures

    Comment by Diem Thuyen Ngoc Tran — 29 October 2005 @ 2:49 pm

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