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Hoang Thuy Linh Vol. 1

The sex tape killed Hoang Thuy Linh’s acting career, but gave birth to a young pop star. With the debut release, Hoang Thuy Linh returns to the limelight after the “Vang Anh scandal” broke out near the end of 2007. When the album dropped last month, I didn’t pay much attention because I didn’t think Hoang Thuy Linh could sing. After listening to the album again yesterday, I still think she can’t sing. She has a cute voice, but her range is very limited. Yet, the album works so well thanks to the producers who know how to build the arrangements around her vocals.

Hoang Thuy Linh Vol. 1 kicks off with a club-friendly “Nhip Dap Giac Mo” written by the Luu Thien Huong. The bouncy beat allows Hoang Thuy Linh to ride along with confidence. The end result is pretty damn catchy. Dong Nhi’s “Nghe Nay Chang Trai” is another hypnotic up-tempo number with Auto-Tune enhancement, which is rare because most Vietnamese pop singers use Auto-Tune as a clutch to make themselves sound like alien.

Hoang Thuy Linh also knows not to dramatize slow songs. On the R&B slow jam “Cam On Vi Yeu Em,” another Luu Thien Huong’s piece, she makes the hook sounds convincing as if she thanks her lover for sticking with her after that sex scandal. The album closer, “Ngay Hanh Phuc,” confirms that Hoang Thuy Linh has left the past behind: “Quen di bao nhieu au lo ngay hom qua / Quen di nhung song gio lam cho ta met nhoai.”

What holds the album together is the crisp, solid beats throughout. The lyrics aren’t over-the-top cheesy like most of the the trendy songs these days. This is definitely the step in the right direction for Hoang Thuy Linh. Keep moving forward, kiddo.

9 Comments

  1. so Korean-queses…

    when will Viet wanna-bes have their own ground and style?

    Comment by msnguyen — 21 April 2010 @ 12:14 pm
  2. @msnguyen hmm care to point out some since I failed to see any. All I see are just a bunch of cute Vietnamese girls dancing which tend to get me distracted rather quickly hehe

    Comment by Hoang — 21 April 2010 @ 7:16 pm
  3. omg

    Comment by Thu Hoai — 21 April 2010 @ 11:39 pm
  4. I suppose we’re talking about this video. Not sure what the ladies are thinking, but she looks damn fine to me :)

    Hoang, you’re too easily distracted :)

    Comment by donny — 22 April 2010 @ 9:16 am
  5. this voice is not for singing!!!

    Comment by Lam Dien — 22 April 2010 @ 9:48 am
  6. Really? I am enjoying the fragile quality in her voice and the youthfulness in her delivery backing up by really catchy beats. Something about her “new” northern enunciation that attracts me and she knows to stay within her range. I find the album to be a fresh change from TCS, NTM, TCP covers again and again.

    Comment by donny — 22 April 2010 @ 10:12 am
  7. msnguyen is a joke. this is more american influenced than anything. their style and dancing and everything.

    and anyway most of korean pop these days is more directly american influenced than ever before it’s pathetic…

    Comment by Toi — 26 April 2010 @ 12:50 am
  8. goodness. how is it korean influenced? the dance choreographer is a Filipino dancer from Kaba modern (america’s best dance crew) and the video producers, propeller group, are westerners and vietkieus. if anything it’s influenced by modern aspects which generally fall under european and american pop…did koreans invent autotune and dancing in highheels with hand movements? ignorant people annoy the shit out of me.

    Comment by dfgjl — 27 April 2010 @ 9:24 pm
  9. It’s now official: I am addicted this album. Can’t stop banging it.

    Comment by donny — 5 May 2010 @ 3:07 pm