A thorough and compelling biography of Thelonious Monk, a genius of modern jazz. Monk’s music, is often misunderstood, has always been a fascinating matter. Fortunately Kelly knows his music well and brilliantly sheds the light on Monk’s signature styles such as his beautiful melodies, dissonant chords, and complex rhythms. For Monk’s life, which often seemed eccentric and erratic to the public, Kelly provides the charming and passionate side of the man through detailed research and interviews with the people who were closed to Monk, including his family members. For the man who used very few words and whose entire life dedicated to music, this book does do him justice.
An absolute beginner’s book for designers who want to learn HTML & CSS. My design students prefer this book over Thomas Michaud’s Foundation of Web Design, which I recommended. While Jon Duckett’s clear writing and the pleasing visual layout make this book approachable, it lacks the HTML5 goodies and ARIA landmarks. Perhaps a second edition is needed to bring the materials up to date since it released three years ago.
A solid reference of the latest features in HTML5 and CSS3. Weyl’s clear, approachable writing makes it easy to understand for beginners and practical for more advanced front-end developers. Good to have on hand for mobile web designers and developers.
The first section of Sue Apfelbaum and Juliette Cezzar’s new book gives an informative primer for editorial design and its elements such as format, identity and typography. The book then jumps right into case studies and interviews, which are the bulk part of the book. While the real-world examples are useful, the book is missing the entire practical aspect of designing the editorial experience, something that I was hoping to read and learn when I decided to make the purchase.
In writing On Web Typography, Jason Santa Maria deliberately and wisely left out technical implementation, which makes room for other books to fill in that void. Jason Pamental’s new book titled Responsive Typography appears to do the job, but it doesn’t. Throughout the slender volume (about 80 pages), Pamental barely scratches the surface of responsive typography. In fact, chapter seven is the only place that actually talks about responsive typography in term of proportion (modular scales). Providing a generic table of font sizes, line heights and line lengths for body texts and headings, however, could be problematic because each typeface has different x-height and spacing. Instructing on how to use type through type hosting services is unnecessary because users can grab the codes on the site like Google Fonts. In the brief history of web font, Pamental points out that Cufón image replacement technique is “nonselectable,” which is incorrect. The book doesn’t live up to its bold title.
A thorough and approachable guide to UX design. In addition to McKay’s clear writing, do-and-don’t examples make UI is Communication a required read for students and novice designers.
A historical overview of typography in the twentieth century. Blackwell’s accessible writing, clear organization, each chapter covers a decade of the development of type, and rich visual illustrations make the complex revolution of type and typography approachable. While the new, revised edition is completely redesigned with updated information, the original version is much easier to read. The first edition is set in large Gill Sans with just one column. The revised version set in tiny Helvetica with two columns. If you can still find a copy of the original release, I highly recommend it.