Listening to Mai Quoc Huy’s debut, Hanh Phuc Quanh Day, makes me want to strangle the shit out of that heartless bitch for him. In track one, she left his ass and the kid. In track two, she left his ass once again even though he has done nothing wrong. In track three, he finally realizes that it is time to part.
The drama gets worse as he reflects on the past. He talks to himself at night (Truc Phuong’s “Dem Tam Su”). Even the damn street he walks on carried her name (Truc Phuong’s “Con Duong Mang Ten Em”). Whenever he misses her (Hoang Mai and Thao Trang’s “Nho Nguoi Yeu”) or thinks of her (Ngoc Son’s “Nho Ve Em”), especially at the time when she was 15 (Hoang Phuong’s “Em Con Tuoi 15”), it brings back gloomy memories (To Thanh Son’s “Chut Ky Niem Buon”). Then he ends up drinking like a fish (Chau Ky’s “Tuy Ca”).
What would happen to him next is up the listeners to decide. The possibility is endless. He could drive, while under the influence, to the nearest Wal-Mart, cop a glock and blow his brain out. That way she’ll regret it for the rest of her life, and we all know she doesn’t give a damn.
Hanh Phuc Quanh Day has to be one of the most depressing albums to date. Mai Quoc Huy influenced by Che Linh so much that he could knock Truong Vu off the map and replace their god. Even if the king of “sen” Che Linh decides to retired, we will still hear his voice through his successors, and Mai Quoc Huy is the closest if not exact.