This is a very different record of Trong Tan. For one, he doesn’t pound the songs with his sledgehammer-like voice. For two, he tries to sing northern folk music that requires tremendous versatility. Unfortunately, he doesn’t have the chops to maneuver his way around the nuances of Quan Ho. Sort of like banh beo without fish sauce; his flow misses the key ingredient to deliver the folk tunes. Standout is the title track thanks to the jazz tinge and Thanh Thanh Hien whose vocals give colors to song.